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The BALTIC RITE
20-06-1995
Information paper of the Fellowship of Baltic Native religions
 

"Witch Way To Heaven"

"And in as much as they (the Prussians) did not know of the (Christian) God, it so happened that they worshiped the entire creature world instead of God, namely: the sun, the moon, the stars, thunder, birds, even the four-legged animals including toads. They also had holy groves, sacred fields and waters". (From Chronicon Prussiae by Peter Dusburg,1326).

Somewhere along the way, paganism got a bad name. God-fearing Christians trembled at the thought of naked women dancing around cauldrons at midnight, casting spells that brought sickness to their animals, infertility to their wives and drought to their fields. It seemed only prudent to burn hundreds, maybe even thousands, of women at the stake to protect society from these horrors. Stories of blood rituals, devil worship and broomsticks still haunt the imagination of the West, and the "evil witch" retains her prominence as fairy tales' villain of choice.

In reality, native religions are not nearly so glamorous. Based on humankind's inextricable bonds and relations with Mother Earth, pre-Christian religions are concerned with the struggle for life and welfare in the face of the destructive powers of death. Various rituals and weapons such as fire, water and sound are used to combat the forces of evil, which constantly threaten nature's regenerative powers. Song, dance and the invocation of special life symbols - such as sun, moon, swastika:a, spiral, cross, wheel, etc. - form the basis of religious life.

Despite all the bad press, paganism has not only survived, but is flourishing. Elle magazine reports that there are one million pagans in the UK. In much of the West paganism is emerging as the New Age religion, as its emphasis on natural forces and ecology attracts those with '90s spiritual sensibilities. Reverence for the Earth as mother and goddess has also won support from feminists who find more hierarchical religious structures patriarchal and paternalistic.

Unlike their Western counterparts. Lithuanians have a wealth of living traditions to draw on which makes paganism not so much a faddish revival as a new phase in an ancient continuum. Lithuanian archaeologist Marija Gimbutas, whose pagan burial last year was but one of many signs of the growing respectability of ancient sects among today's intellectuals, wrote: "The customs, beliefs, mythological songs and folk art symbolism of the Lithuanians and Latvians are amazingly replete with antiquity. The Christian stratum is recent and can be easily detached".

Jonas Trinkunas, a scientist at Vilnius' Institute of Philosophy and Ethnography and active member of Lithuania's pagan Romuva Society, agrees. "Western pagans have many new forms, they create new songs and new prayers", he told the Baltic Observer. "But our rituals and songs are absolutely traditional".

Official conversion

Christianity got off to a bad start in the Baltics. The end of the tenth century saw the first missionary, Czech Bishop Albert Waitiekus, sally forth into the land of the ancient Prussians only to unwittingly venture into a holy forest section which was dedicated to the pagan gods. He was killed there.

Religious conversion subsequently took the more traditional and time-tested forms of political pressure and the waging of holy wars. The bloody clashes which consumed Europe in the Dark Ages subsided at the end of the l2th century, leaving in their wake a continent entirely christianized but for a tiny pagan island in the area known as Lithuania. This small nation soon discovered that the focused attentions of the catholic world can be searingly unpleasant.

For two centuries these attentions consisted mainly of biannual attacks by the Teutonic Order of Cross-bearers and Sword-bearers, an order of monks constituted in the Middle Ages in connection with the Crusades. Out of work after the Crusades failed, the Cross- bearers found employment under Masovian Prince Conrad in 1225. In exchange for a promise to carry out missionary work in pagan lands, the order enjoyed privileges bestowed by the German emperor and the people, as well as lands given by Conrad. They were also allowed to keep any land they conquered from the heathens.

In seeking to quell these attacks and gain greater security and power by uniting and expanding Lithuania, Grand Duke Mindaugas adopted Christianity in 1253 and was crowned king of Lithuania. But the Cross-bearers were not put off, and Mindaugas' followers and successors didn't follow suit. (Vytautas the Great finally dealt the Order a decisive blow in 1420 at the battle of Tannenberg, after which the Order lost its importance and finally broke away from Rome in 1525). Officially, Lithuania existed as the last European strong-hold of paganism until Duke Jogaila married Polish Princess Hedwige in 1385. The terms of the union, both conjugal and political, were Jogaila's conversion and his permission for the baptism of his subjects by the Polish clergy.

Conversion in fact

Political maneuverings have more meaning on paper than they do in the more complex realm of everyday life, however, and paganism continued virtually unchecked in rural areas long after a Polish Catholic Church was established in Vilnius. Just as state paganism had little relevance to the more ancient forms of village worship, official Christianity remained an essentially urban event for a further 300 years.

Trinkunas believes the class and national differentiation of the upper class Polish clergy contributed to Lithuanias' indifference to their official religious occupation. "After official Christianizing there was a period of about three centuries where there was still a pagan way of life and real traditions all over Lithuania. Christianity lived only in towns and castles. "In fact, there are many documents from as late as the l8th century which give accounts of an essentially pagan lifestyle in many villages.

It was the Jesuits who began the systematic and earnest fight against paganism in rural areas in the l6th century. One strategy involved taking two young men from villages to the towns for indoctrination, after which they could be returned to their homes as good practicing Catholics. Open air gatherings in the woods and the erection and consecration of crosses were banned, and violators were fined. Clergy were also instructed to desecrate holy places and relics. The 1650 prohibitive instructions read: "All ungodly chapels, holy bushes and crosses must be completely destroyed and demolished". Baltic architecture, as in all Northern Europe, was entirely wood, and these instructions lead to the loss of many historically valuable structures as Christian churches arose on the sites of pagan sanctuaries during the centuries succeeding the fourteenth.

Though slowly, this gradual infiltration of Christian teaching eventually accomplished what holy wars and politics could not, and by the l9th century it could truly be said that the Catholic Church had conquered paganism in Lithuania. Today, 70 percent of Lithuanian, who make up 79 percent of the country's population, describe themselves as practicing Catholics.

National revival

Just when traditional forms of the native religion were being eradicated in the country, a new awakening was beginning in urban intellectual circles.

Interest in pagan rituals was growing among a small set of academics at Vilnius University, headed by Simanas Daukantas. Interest in a return to traditional forms of worship was helped at the end of the century by a growing national revival movement, which took issue with the still very Polonized church. Says Trinkunas - "Lithuanian cultural activists began to think that pagans have more native features".

Romuva was first established in 1928, taking its name from an ancient holy place. Soviets destroyed this group, although some secret activities continued in Siberian work camps during Stalin's rule. Trinkunas reestablished the group in 1967, and now there are about 200 members. Today the group is concerned with scientific problem.s and research, as well as worship. They also maintain contacts with pagan groups all over the Europe.

Beyond this "hard-core" group, an interest in Lithuanian traditions has fueled a broader revival of the symbols, songs and arts that find their roots in paganism. Inge Kriksciuniene, author of U gavÇnÇs (the name of the ancient spring festival), is part of a wider movement of Lithuanians who are trying to restore old celebrations. After three years of organizing pagan festivals, participants now number in the thousands. "It is important for people to celebrate and to remember how, where and when they are living", says KrixÁüi¨nienÇ. "Pagan festivals represent an important association between culture, aesthetics, nature and beauty. It's very important for people to feel this connection with nature. Furthermore, we wouldn't be Lithuanian if we didn't have our traditions and our language".

Folk art

The relatively new Christian strata is intermingled with the more ancient elements of the Lithuanian imagination. Memories of an ancestral past continue to surface in the symbols and styles of Lithuanian folk art. ornamental carvings on distaffs, dowery chests, laundry heaters, furniture and gables, as well as on painted Easter eggs often portray the segmented stars, concentric circles, rosettes, and sun symbols which are impregnated with pagan import.

Folk songs retain fragments of prayers to Zemyna, the Earth Mother:
"Dear Zemyna ,
protect us,
Bless our tillages
Bless the forests, the fields,
Leas pastures and slopes."

The legacy of a pagan lifestyle is, according to Gimbutas, "incarnate in the cosmic and lyrical conception of the world of present-day Lithuanians and Latvians, and is an unceasing inspiration to their poets, painters and musicians".

A changing world and religious view can be traced through various conceptions of folk art. The peculiar Lithuanian roofed poles which are still seen in rural areas, serve as a particularly good example of this metamorphosis. marked for destruction first by the clergy and later by Moscow, they have survived because people began to affix Christian symbols to them, causing them to eventually come under the protection of the church. Nevertheless, their conception and significance stems from a pre-Christian faith which manifests direct ties with the art of the Iron Age in both symbolic and decorative elements.

The famed "Hill of Crosses" near Siaulai, now rife with Christian symbols, began as a pagan place of reverence from a time when the symbol of the cross was variously employed to ensure good crops, or as protection from sickness and misfortune.

Current debates

Though their symbols now "cross" each other so intricately and subtly that they could probably never again be separated, even if that were desirable, pagan and Catholic leaders do not always coexist so peacefully.

Mud-slinging between religious factions is, of course, historically unprecedented. Written records from the 11th to the l5th century document pagans referring to Christians as "the ignorant ones", and forbidding them access to sacred groves and forests. In their turn, Christian missionaries, such as those visiting Estonia in 1641, expressed sympathy for the beliefs of "the poor blinded people".

Today friction has been stirred anew by the possibility of changes to Lithuania's religious laws. Church leaders fear the erosion of privileges which come with state recognition, as the Seimas (parliament) considers extending recognition to several established religions. Vytautas Alisauskas, editor of the Catholic magazine New Hearth explained to The Baltic Observer that "the main problem is that some religious movements will also be recognized as equal. It's not a problem of recognition, but status... must these new religious movements be equal in schools and social life?"

For their part, today's pagans resent the church's suggestion that their religion is not traditional. Alisauskas claims that nowadays paganism is entirely reconstructed and therefore not authentic. "Nobody can say what real paganism is. It is purely scientific investigation. We don't have any paganism in Lithuania, only romantics, some ideas." Even more inflammatory are his comments regarding the faith of modern day pagans. "Today don't even see themselves as a religious movement. Perhaps as a cultural movement or an ecological movement, but New Age, and it's not a religious movement".

The pagans are also prone to barring none when speaking of the Catholics. Sociologist and member of Romuva Inija Trinkuniene freely expresses her contempt for church leaders by invoking comparisons with the hated communists. "Earlier it was communists who guarded the state, and all people were afraid. Today Catholic Church is trying to take on the task of instilling fear. Many members of the Communist Party have become very active supporters of the Catholic Church today. There is something in the way communists and Catholics think".

While such comments suggest there is still much need for understanding and respect for the beliefs of even historically opposed sects, there is plenty of evidence that pagans and Catholics should be able to live together. Catholic scientist and journalist Saulius Zukas has a more positive approach to the presence of paganism in his essentially Catholic country. When asked by New Hearth for his opinion on the significance of a public pagan ceremony he replied, "Both Scientism and Buddhism exist and live side by side in Japan". So they do. And with a shared history that has given the country some of its most
 
XX X X X X X X X X X X X X X X X X X X X X 
 
The following abstract was taken from Prane Dunduliene book "Senoves lietuviu mitologija ir religija" translated into English "Ancient Lithuanian Mythology and Religion
 
In ancient Lithuanian mythology, Perkunas was the God of Thunder. As such, a stand of oak trees (known as a grove) was considered sacred to Perkunas. Perkunas, God of Thunder, was the father God. The fairest goddess was Jurate, a mermaid who lived in an amber palace in the Baltic. Kastytis, a courageous fisherman living along the coast near the mouth of the Sventoji River. Kastytis would cast his nets to catch fish from Jurate's kingdom. The goddess sent her mermaids to warn him to stop fishing in her domain. He did not stop. After the mermaids failed, Jurate went to demand he stop. When she saw how handsome and courageous he was she fell in love with him and brought him to her amber palace.
 
Ancient Lithuanian Mythology and Religion
The Lithuanian pagan faith and mythology, as well as the ritual connected with them, are among the oldest phenomena of human spiritual creation. Religious and mythic imagery permeated all the spheres of society life that was based on hunting and gathering already during the period of the early tribal system which comprised the Upper Palaeolithic and Mesolithic.
 
The history of Lithuanian faith and mythology can be subdivided into three epochs. The first epoch is that of the early matriarchal tibal system, during which religious imagery (totem, animist and craft cult imagery) connected with feminine supernatural beings appeared in the hunters' and gatherers' society (the Upper Palaeolithic and the Mesolithic). The second epoch was that of the late matriarchal tribal system, based on hoe agriculture, during which religious imagery connected with the cult of feminine deities of the Sun, the Moon, the Earth developed as well as those representing fertility and water. In the period of matriarchy the goddesses were responsible for the birth, existence and death of man, fauna and flora. Those deities took care that the continuity of life and fecundity be maintained in the Universe through constant interchangeability of life and death. The goddesses supervised the sky, the earth, water, fire and the atmosphere. Art, especially the symbolic art, was created in the sphere of the cult of feminine divinities, while the rites of this cult was performed by women themselves survived into the the period of patriarchy. The third epoch was the period of the patriarchal tribal system and its disintegration, followed by the formation of class society. The chief gods appearead during this period, while most of the feminine deities lost their supremacy, though not all: some of them remained in the pantheon of Lithuanian gods together with masculine deities. After the state of Lithuania was formed and the Christianity was adopted in the country, the Lithuanians still refused to renounce their gods for a considerable period of time.
 
The tribes of the Aestii creted their religion jointly throughout millennia. In the middle of the Ist millennium A.D., as they began to split into separate pations, their religious imagery changed but a little.
 
The main sources of knowledge of the Lithuanian religion and mythology are the archaeological and etnographic data, as well as various written sources, toponymy and other objects of linguistic study.
 
In our attempts to disclose the genesis of religious beliefs and rites, to reconstruct their functional content and to discern their transformation under different social and economic conditions, we turn to traditional folk art and ritual, i.e., to the cultural layer that has reached us from under the cover of millennia. The semantics of archaic beliefs and of the traces of mythical imagery related to them require a thorough analysis based not only on local but also on general Proto-Indo-European or Indo-European materials that have partially survived in the Christian ritual, in the cult of the Christian god and various saints. The semantic analysis indispensable to the study of religion and mythology is inevitably connected with ancient philosophy.
 
A great deal of elements of ancient world-outlook have survived to this day through legends, fairy-tales, exorcisms and songs. Relics of the dissolving religion were transferred into these genres of folklore; rather undisputable evidence of totemism, animism and the cults of ancestors and different deities can be traced there. This evidence is especially noticeable in ballads and in epic and mythological songs that remind of, and are probably even more archaic than, the ancient Hindu Vedas.
 
Some religious elements of remote past, going back to the Stone age, can be in use together with the Christian iconology until the 18th century and even the first decades of 20th century. These elements reflect the essence of the religious outlook. The patterns of ornament in folk art are some kind of Holy Writ that needs deciphering, though it sometimes may be difficult to grasp the historical moment or the symbolic meaning of one or another ornament. <P>
In the study of pagan religion, the support of certain written sources and iconological material is indispensable, though often it is already transformed and deprived of its original meaning.
 
The pantheon of Lithuanian gods is rather rich and diverse. Lithuanians, as well as other ancient nations, developed in the period of patriarchy an image of the unique supreme God, the creator and lord of the Universe and all life. 'Dievas', the name of God in Lithuanian, has a common root with the words of this meaning in all ide languages. The word 'Dievas' often personifies the shining sky, light, or day.
 
The Lithuanian supreme God, as the myth retales, had a wife, the primorial Great Mother, the goddess Lada, who had given birth to the first-born twins. God's twin children, in the shape of twin horses, are known from the myths; they are related to the fire of the sky , the Sun, and lighting. <P>
The Lithuanian supreme God was considered to be as well the Master of Fate, the Lord of the world who ruled the Heaven and Earth, while his children assisted him.
 
The names reffered by to the supreme and most powerful God varied in Lithuania from region to region during the course of time. In the Highlands of Lithuania as well as in the major part of the Lowlands the word 'Dievas' was used together with personal name Praamzius, in Suvalkija the God's name were Prakurimas, Ikurejas, Sotvaras, while in the west of the Lowlands and in Prussia he was reffered to as Ukopirmas.
 
Praamzius is described as the omnipotent ruler of time, the inescapable fate. The sky and the air, water and all live creatures had to obey him, with none exclusion even for other deities. All decisions made by Praamzius are inscribed in stone and thus is no escape from them; while ordering the present, he is awere of both the past and the future. Similar functions are ascribed as well to Prakurimas and Ukopirmas.
 
The chiel ritual addressed to the supreme God was performed during the winter solstice. The importance of this ritual especially increased by the time agriculture became known and was cultivated. The rites permeated with archaic totem, animist, symbolic imagery would continue for twelve days associated with the twelve months of the year. Together with rites addressed to the supreme God, souls of remote ancestors from the other world were paid homage to.
 
In Lithuanian religion, just as it is the case with other religions, the trinity of gods is known: Perkunas, Patrimpas and Pikuolis. The most prominent among these gods was Perkunas, the master of the atmosphere and the "waters" of the sky, as well as the fecundity of flora, human morality and justice. Beside the supreme God, Perkunas occupied perhaps the most important place in the Lithuanian divine pantheon. Under the influence of Christianity the supreme God's image was transformed and Perkunas acquires the position of the Lord of Heaven.
 
The major imagery representing Perkunas is of zoomorphic character, while later on it becomes antropomorphic, sometimes retaining certain zoomorphic attributes. Perkunas used to inspire awe and punish people, thus he was often called the "god's scourge". He was supposed to punish by throwing at the culprit his stone axes, that often had symbols of the Sun and lightning. People knew then how to turn away Perkunas's wrath.
 
The second god was Patrimpas. He was supposed to bring the spring, joy, peace, maturity, abundance, as well as to take care of domestic animals, ploughed fields, and crops. Sheaves of corn, amber, vax, etc., were offered to him during the rites.
 
The third member of the Lithuanian divine trinity was Pikuolis, otherwise called Pikulas. He was the god of the underworld, all kinds of evil and death.
 
When presented in a horizontal and vertical lines, the divine, trinity of the Aestii corresponds to the model of universal space, i.e., the sky, the earth and the underworld. The analogy may also be seen with the time recurrence: adolescence, maturity and old age, or otherwise, spring, autumn and winter.
 
The sky gods form a separate group. Here belongs the heavenly smith, who had forged celestial bodies, as well as the god Menulis (Moon) and the goddess Saule (Sun). The latter tho constituted the celestial family: Menuo (another forms of the name Menulis) and Saule are represented as spouses, while the planets and stars as their daughters. The god's sons are known too. It is interesting to note that in the mythologies of some other nations the Sun and the Moon may be of opposite sex.
 
The Lithuanians respected the gods and goddess of the farmstead and home. The cult of these deities originated from the deified remote primordial mother image; later on the father image influenced it too. These deities protected the house, the people living there, farm- buildings, domestic animals and fowl. <P>
Some archaic elements of the primordial mother cult survived as long as the 19th century. During the wedding, as the bride bade farewell to her paternal home and its gods, she would pray and make sacrifices to a female idol made of a sheaf of straw, begging to forgive her for leaving home and moving to a new one, where she would have to adore other gods. Nonadieve, a godness mentioned in the Voluine Chronicle (middle of the 13th century), must probably have been the domestic goddess. She corresponds to J.Lasickis Numeja. The sentence "Numeias vocant domesticos" should be translated as "Numejas are called domestic goddesses".
 
The goddess Dimstipati mentioned in the written sources was later transformed into a male deity Dimstipatis, but the offering rites addressed to him were performed by women, which may indicate his feminine origin. Women used to take care of the most important place in the house, the corner behind the table, where goddess were supposed to live. Zeme pati, the goddess of the farmstead mentioned in the written sources, was also later transformed into a male god Zemepatis.
 
Since ancient times, the Lithuanians used to respect fire. In the course of time, fire was personified and at first it assumed a zoomorphic image, which later became ornitomorphic and, finally, antropomorphic (female). The personified and deified fire was reffered to as Gabija, while the fire in the threshing barn (jauja) was called Gabjauja. These goddess protected not only fire but also the farm itself, the cattle and women's chores in the whole.
 
The goddesses of birth and death were, respectively, Laima and Giltine. They both belonged to the senior generation of goddesses. Laima was responsible for fertility, predetermined the fate of the newly-born, took care of women in childbirth, ordained the cosmic phenomena. Originally her image was ornitomorphic, but gradually she acquired human shape. In the area of Aestii, the flint birds found in the ground must have represented the goddess Laima. These bird-figurines express the idea of the feminine element. The cult of lime-trees is kindred to that of Laima-bird. As Laima acquired an antropomorphic image, she became the protectress not only of the earthly but also of the heavenly life.
 
Giltine, the death goddess, ordained the end of human life and took care that people be not superfluous on the earth.
 
The most prominent flora gods were probably Puskaitis and Pergubre. Puskaitis took care of the earth's fruit, and of the cereals in particular; he lived under the elder, which was considered a sacred tree associated with fertility and the underworld kingdom. The name Puskaitis is associated with blossom ('puskuoti' means 'to blossom'). Feasts to his honour were held twice a year: in spring and in autumn. Early in spring the ancient Lithuanians used to worship goddess Pergubre (which was by mistake called in written sources by the male name Pergubrius). She supplied the earth with blossom and protected the first field-works. Her dedication feasts were held early in spring.
 
Among the goddesses that had survived from the Neolithic there was Kaupuole, or Kupuole, associated with the luxuriance of flora, the activation of vegetative powers. She was the goddess of field vegetation, while her daughter Rasyte used to water the vegetation with silver dew. Thus Rasyte assisted her mother Kaupuole. Both goddesses took care of the growth of flora. In earliest times, still before the rise of agriculture, this idea was personified by a dying and resurrecting goddess.
 
Another archaic Lithuanian goddess promoting the vegetation growth was Vaisgamta, who was worshipped by women engaged in flax growing and breaking. Ritual addressed to her was performed on the day of Ilges festival (corresponding to the Halloween).
 
Harvesting ritual was performed in honour of the deities of the cereals, the so-called rye-wives (rugiu boba), the idols made of the last sheaf of rye and carried ceremoniously home.
 
An ancient custom to respect water and sought to preserve it clean, forbade polluting it. That was associated with the belief that various deities lived in water: mermaids, spirits, souls, especially those of the drowned. The queen of the Baltic Sea was the beautiful mermaid Jurate. By will of god Praamzius, she was killed by another god Perkunas, for a love affair with Kastytis, a son of the earth.
 
The atmosphere is represented by the wind gods and spirits. Since ancient times their images had been zoomorphic (those of a bear or a horse), later they become anthropomorphic. Myths recount of the Mother of winds and her spouse, her daughter and four sons; the most quick-witted among them was Siaurys (the North wind). The wind gods, and sometimes the spirits, were represented with wings. They were supposed to communicate with Saule and Menulis (the Sun and the Moon). Bangputys, or Vejopatis, is depicted in Rusne as a winged man.
 
Aitvaras should also be grouped with the atmosphere gods. The image of this creature originated while watching flashing meteors, most probably after agriculture had already spread. At first aitvarai were supposed to live in the sky or in the woods; under the influence of Christianity they were settled in garners and denounced as thieves. On the whole, aitvarai were considered to be divine creatures, to regulate human relations and to influence the state of wealth. Being of divine origin, they were supposed to be immortal. Killed or wounded, an aitvaras would regain his strenght after touching the ground, similarly as Anteus in the Greek tradition.
 
Among other gods Pilnytis, the wealth god, may be mentioned, as well as the war god Kovas and the goddess Junda, the health god Ausaitis, the schepherds' god Ganiklis, the god of roads Keliukis, the love and freedom goddess Milda, the goddess of corn ears Krumine, the underworld god's wife Nijole, the goddess of woods and trees Medeine, and finally, Austeja and Bubilas, the goddess and the god of bees.
 
Among the oldest goddesses there were as well laumes, and goddesses of earth, water and sky. Raganos (witches) were supposed to practise sorcery and perform different magic actions ordaining the cosmos, the fates of people and animals. They were lunar nightlife creatures. Supernatural powers to order and regenerate not only the live world, but the whole Nature were attributed to them.
 
Among the underworld spirits kaukai were best known to the Lithuanians. The image of this creature originated from still-born babies or those that died without the birth rites. Kaukai were represented as little manikins, both men and women. Beside kaukai, the underworld also had spirits which guarded treasures hidden in the ground.
 
Since earliest times the Lithuanians had idols of their respected divine creatures (first totems, later zoomorphic-antropomorphic and finally purely anthropomorphic deities). This was proved by archeological and written sources, as well as linguistic and etnographic data.
 
Our remote ancestors used to perform their religious rites in sacred forest, near sacred streams. Later, especially in the Metal Age, temples appeared; relics of temples have been discovered in different places of Lithuania. Lately remnants of temple (an altar, a pit of offerings) were found in the vaults of Vilnius Cathedral.
 
This abstract was taken from Prane Dunduliene book "Senoves lietuviu mitologija ir religija" translated into English "Ancient Lithuanian Mythology and Religion"